Features

Supercomp’s Optical Glow creates a natural-looking glow that adapts to changes in brightness and color, and blends beautifully into the background.

Layer Glow works without foreground wrapping. That is good for layers that create an atmospheric glow that should be occluded by foreground elements.

Supercomp’s Light Wrap is highly customizable and works in an optically-correct color space, so you never get that “overdone” light wrap look.

Reverse Light Wrap spreads subtle color and light from the foreground onto the background layers.

Blend your foreground layer into the atmospheric perspective of the background with a heavily diffused background color.

The Blur Behind effect makes it easy to blur the background according to the opacity of the foreground layer.

Supercomp’s Edge Erode effect adds smooth transparency to the edges of your foreground layer. Use it to shave a harsh edge off an almost-perfect key.

Volume Fog adds “god rays” of background light spilling over the foreground. They can be diffused, so that the lighting takes on a more subtle look.

The Edge Blend effect finds the sharp edges of your foreground layer and blurs it together with the background.

If the element you’re trying to composite into a shot looks too sharp compared to the organic background plate, Diffusion is the effect you want.

Supercomp’s Heat Blur tool allows you to blur and displace the layers below using a custom luminance extraction from the foreground.

Displacement layers use the same engine as the standalone Chromatic Displacement effect, integrated into the Supercomp engine.